Valami Amerika 3

Director: 
Gábor Herendi

Returning to the beloved Várnai brothers in a fresh direction, Valami Amerika 3 takes the franchise into action-comedy territory with the trio landing in a real prison setting—the Petőfi military barracks and Vác prison facilities were used to capture the new tone of breakouts and mob chases. While maintaining the slapstick and pop-culture humour that fans love, the film injects a bold dose of caper film aesthetics—gang rivalries, high-stakes theft and a surreal prison stint make this sequel stand out.

Premiering in early 2018 and produced by Skyfilm under the direction of Gábor Herendi, Valami Amerika 3 opened the film festival circuit by launching at the Hungarian Film Festival of Los Angeles and quickly became one of Hungary’s biggest-opening comedies, boasting over . With its energetic ensemble, memorable characters and a cheeky wink to its own legacy, it wraps up the trilogy with style and laughs.

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A man standing between two stationary blue-and-white train carriages inside a large, well-lit station holds a film clapperboard and smiles toward the camera.
A group of men gathered around a monitor on a film set, smiling and watching as the director in headphones enthusiastically points at the screen.
A film slate labeled Valami Amerika 3 held up by a hand, showing roll, scene, and take numbers along with the director and camera operator’s names.
A group of well-dressed people standing together at a Valami Amerika 3 premiere event, posing in front of a branded backdrop.
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Five people stand close together indoors, staring ahead with surprised and tense expressions; the man in front is holding a large camera or device.
A movie poster for Valami Amerika 3 featuring three men posing confidently against a light background, with the film title displayed in bold white letters over a large blue star.
Four people sit in a damaged car with shattered windows, the two men in the back covered in white dust, while the driver squints ahead and the woman in the front looks serious.
Three men walk forward confidently outdoors, all wearing sunglasses; the man in the middle holds a baseball bat over his shoulder, while the man on the right carries a large boxed item.
Two men peek out cautiously from beneath a partially lifted manhole cover, their faces lit by daylight as they look around from inside the sewer.
A man in a light shirt and black vest labeled POLICE stands in front of a team of heavily armed officers in tactical gear aiming their weapons inside a dimly lit building.
Four men in matching blue-and-gray patterned prison uniforms stand in a locker room, looking serious and tense, with tattoos visible on two of them.
Four adults sit on a park bench in a sunny setting, with one woman pushing a stroller on the left and another woman on the right holding a sleeping baby, while the two men in the middle smile calmly.
A large group of men dressed in matching checkered prison-style outfits perform a dramatic, choreographed scene in a hall, with some standing on ladders holding signs that read EAST and WEST while others grapple with a man posed theatrically at center stag
Two women lie side by side on a patterned carpet, viewed from above, one wearing a navy dress and the other a pink blouse, both staring upward with calm, thoughtful expressions.
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